Tuesday, April 15, 2008

Quotes

"You must have the will. You must want the crescendo..."

"Must believe in the neutrality of the piano.... and it is its neutrality that opens up the opportunities for colour........."

"You come in a hair too soon, and that hair is as precious as what little I left on my head...."

"Don't rush when there's a clash! It's not a marriage dispute."

"Even when you return to the theme in the sonata form, it's in a completely different state. It's has memory now. It is anything but a mechanical repeat."

"Do you see the images when you play the music? Or hear the music when you see the images?"

"The repeat is a recollection. You emphasise when you built something, you don't emphasise when you recollect, else it loses its wonderness."

Friday, April 11, 2008

Daniel Barenboim

My idol says:

"The study of old instruments and historic performance practice has taught us a great deal, but the main point, the impact of harmony, has been ignored. This is proved by the fact that tempo is described as an independent phenomenon. It is claimed that one of Bach's gavottes must be played fast and another one slowly. But tempo is not independent! ... I think that concerning oneself purely with historic performance practice and the attempt to reproduce the sound of older styles of music-making is limiting and no indication of progress. Mendelssohn and Schumann tried to introduce Bach into their own period, as did Liszt with his transcriptions and Busoni with his arrangements. In America Leopold Stokowski also tried to do it with his arrangements for orchestra. This was always the result of "progressive" efforts to bring Bach closer to the particular period. I have no philosophical problem with someone playing Bach and making it sound like Boulez. My problem is more with someone who tries to imitate the sound of that time..."

He's really really great with his hands, conducting and playing alike... simply dazzling how he conducts and plays the piano... I'm really impressed with the nuances and expressions he expresses with his hands.... damn good!!!




Check out the Bolero. Berlin Phil is really good! Good sound, good balance, and a steady crescendo creeping in through the piece, without the audience actually noticing it. Fastastic concealing and control.





Concerto de Aranjuez! Williams and Berlin Phil




Friday, April 04, 2008

老人弹琴


Andres Segovia


Who ah?


with small orchestra

Tuesday, April 01, 2008

Cry



楊宗緯--哭了

背叛



雨 不停落下來
花 怎麼都不開
儘管我細心灌溉 你說不愛就不愛
我一個人 欣賞悲哀

愛 只剩下無奈
我 一直不願再去猜
鋼琴上黑鍵之間 永遠都夾著空白
缺了一塊 就不精采

緊緊相依的心如何Say Goodbye
你比我清楚還要我說明白
愛太深會讓人瘋狂的勇敢
我用背叛自己 完成你的期盼

把手放開不問一句Say Goodbye
當作最後一次對你的溺愛
冷冷清清淡淡今後都不管
只要你能愉快

心 有一句感慨
我 還能夠跟誰對白
在你關上門之前 替我再回頭看看
那些片段 還在不在